Dialogue and carnival

understanding visitors' engagement in design museums

Soojin Jun, Hyun Kyung Lee

Research output: Contribution to journalArticle

3 Citations (Scopus)

Abstract

As the role of museums has shifted from collection-driven institutions to experience-centred environments, researchers in museology have felt a growing need to understand how visitors experience and engage in exhibitions. Defining design museums as sites of meaning-making through diverse interactions and co-creative experiences, we examine dialogue as a means of encouraging visitors' active participation and creative engagement in design exhibitions. This article presents a theoretical framework based on Mikhail Bakhtin's concept of dialogism and carnival theory. Four kinds of dialogic engagement are identified to illustrate different ways of engagement and co-creation in design museums through the analysis of example exhibitions.

Original languageEnglish
Pages (from-to)247-254
Number of pages8
JournalDigital Creativity
Volume25
Issue number3
DOIs
Publication statusPublished - 2014 Jan 1

Fingerprint

Museums
Design Museum
Carnival
Dialogism
Theoretical Framework
Museology
Participation
Visitor Experience
Exhibition Design
Dialogic Engagement
Interaction
Mikhail Bakhtin
Meaning Making
Co-creation

All Science Journal Classification (ASJC) codes

  • Arts and Humanities (miscellaneous)
  • Human-Computer Interaction
  • Computer Graphics and Computer-Aided Design
  • Computational Theory and Mathematics

Cite this

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Dialogue and carnival : understanding visitors' engagement in design museums. / Jun, Soojin; Lee, Hyun Kyung.

In: Digital Creativity, Vol. 25, No. 3, 01.01.2014, p. 247-254.

Research output: Contribution to journalArticle

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