Poetry as Perjury: The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

IF IT HAS BEEN THE FATE OF POETRY to be defeated, marginalized, and lorded over by philosophy, we could map the history of modernist literature between two decrees against art - Georg Wilhelm Friedrich Hegel's thesis that art works have lost their power and capacity to fulfill humanity's highest needs and Theodor Adorno's pronouncement that it is barbaric to write poetry after Auschwitz. It is of course between the time of these two proclamations that art in Europe embarked upon a period of unprecedented formal innovation and that poetry in particular shattered received conventions of rhetoric and syntax. Hegel's idea of the end of art is less a categorical denunciation of art-works for posing a threat to the notion of truth and the good life, the view that underpins Socrates' proposal in Plato's Politeia to banish the poets from the just state, than the assertion of the primacy of speculative reason in grasping the highest stages of historical consciousness. Adorno's stricture, on the other hand, stands as an ethical injunction. For it is the moral legitimacy of art that is now at stake - its very right to exist in the wake of the barbarism of war and genocide. If art does come to an end, it is because it has been radically outbid by the devastations of history. Measured against the reality of suffering, art is both inadequate and incapable of giving voice to horror and agony, or is complicit in it.

Original languageEnglish
Title of host publicationHermann Broch, Visionary in Exile
Subtitle of host publicationThe 2001 Yale Symposium
PublisherBoydell and Brewer Ltd
Pages201-216
Number of pages16
ISBN (Electronic)9781571136312
ISBN (Print)9781571132727
Publication statusPublished - 2011 Jan 1

Fingerprint

Poetry
Broch
Virgil
Art
Paul Celan
Works of Art
History
Fate
Historical Consciousness
Modernist Literature
Plato
Injunction
Barbarism
Good Life
Denunciation
Primacy
Georg W.F. Hegel
Categorical
Auschwitz
Theodor W. Adorno

All Science Journal Classification (ASJC) codes

  • Arts and Humanities(all)

Cite this

Paik, Y. (2011). Poetry as Perjury: The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende. In Hermann Broch, Visionary in Exile: The 2001 Yale Symposium (pp. 201-216). Boydell and Brewer Ltd.
Paik, Yoonsuk. / Poetry as Perjury : The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende. Hermann Broch, Visionary in Exile: The 2001 Yale Symposium. Boydell and Brewer Ltd, 2011. pp. 201-216
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Paik, Y 2011, Poetry as Perjury: The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende. in Hermann Broch, Visionary in Exile: The 2001 Yale Symposium. Boydell and Brewer Ltd, pp. 201-216.

Poetry as Perjury : The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende. / Paik, Yoonsuk.

Hermann Broch, Visionary in Exile: The 2001 Yale Symposium. Boydell and Brewer Ltd, 2011. p. 201-216.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Paik Y. Poetry as Perjury: The end of art in broch’s Der Tod des Vergil and Celan’s Atemwende. In Hermann Broch, Visionary in Exile: The 2001 Yale Symposium. Boydell and Brewer Ltd. 2011. p. 201-216